GOPINATH MOHANTY PARAJA PDF

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Gopinath Mohanty dominated the Oriya literature for over four decades as a colossus and was hailed as one of the greatest prose writers in India. Virtually all aspects of the Orissan landscape, life-pattern, culture and heritage including those in the tribal land, came alive in his magical hand. He was a path-breaker in every way and left his distinctive stamp whether it was the prose-style, technique of handling characters and theme in novels and short stories, codifying the tribal groups and creating grammar in their language, or shedding new light on the time and place of existence of Sarola Dasa, the creator of the Oriya Mahabharata and regarded as the Father of the ancient Oriya literature.

The new prose style that he introduced is vibrant as well as vigorous with words carefully chosen from the common living speech of villagers and deftly put together for expressing abstract ideas or delicate feelings. His pioneering work and writings on the tribals of Orissa is widely recognized and has placed him as a front rank anthropologist; he had a stint as an Adjunct Professor in Anthropology in San Jose State University , USA.

He joined the Orissa Administrative Service in and retired from the service in Some of his major creative works of this time deal with the tribal life and society. His serious literary activities that began in spanned over 55 years. Gopinath was an avid reader; His reading interest spanned a wide spectrum, both in terms of language including Sanskrit and a number of other Indian languages , as well as themes from religion to psychology, from fiction and poetry, to books on science and medicines.

His travelogues prominent among them being on Chilka lake , socio-anthropological articles on tribal people, as well as his speeches available in cassettes primarily while touring in the U. Simultaneously, a powerful voice for the underdog, the down-trodden and the exploited was silenced.

April 8, admin.

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Book Review: Gopinath Mohanty's 'Paraja'

Career[ edit ] Mohanty joined the Odisha Administrative Service in and retired in He died at San Jose, California on 20 August His literary output was prolific. He wrote twenty-four novels, ten collections of short stories, three plays, two biographies, two volumes of critical essays, and five books on the languages of the Kandha, Gadaba and Saora tribes of Odisha. Sitakant Mahapatra describes the novel as " the story of shattered dreams". The trend which Fakir Mohan Senapati had started developed after the s.

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Gopinath Mohanty

Gopinath Mohanty dominated the Oriya literature for over four decades as a colossus and was hailed as one of the greatest prose writers in India. Virtually all aspects of the Orissan landscape, life-pattern, culture and heritage including those in the tribal land, came alive in his magical hand. He was a path-breaker in every way and left his distinctive stamp whether it was the prose-style, technique of handling characters and theme in novels and short stories, codifying the tribal groups and creating grammar in their language, or shedding new light on the time and place of existence of Sarola Dasa, the creator of the Oriya Mahabharata and regarded as the Father of the ancient Oriya literature. The new prose style that he introduced is vibrant as well as vigorous with words carefully chosen from the common living speech of villagers and deftly put together for expressing abstract ideas or delicate feelings.

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Scores of articles and novels have been written about the stranglehold of money-lenders and of their usurping the righls of tribals. Yet, hardly has any outsider penetrated the bamboo curtain to present these people as individuals. Readers can see the yellow olsi flowers of their hillsides: taste the sweet liquor of the mahua lowers which makes that path to bondage all the shorter: hear the sounds of the tiger-infested jungles, the teasing laughter of the women: and feel the frenzy of their orgiastic harvest festivals. Paraja is a story of the inexorable descent of the family of Sukru Jani, the "granite-faced" tribal patriarch - poor but proud - into bondage. Destiny sucks him and his sons, Mandia and Tikri, and daughter Jili into its vortex with the tragic inevitability of a Hardy novel. The men are tricked into becoming bonded labourers to the moneylender: and Jili, independent and yearning for love, into becoming his mistress.

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