Madame Larina begins to reminisce about her own courtship and marriage. A group of peasants enter, and celebrate the harvest with songs and dances. Tatyana and Olga watch. Tatyana has been reading a romantic novel and is absorbed by the story; her carefree sister, on the other hand, wants to join in the celebrations. Madame Larina tells Tatyana that real life is very different from her novels.
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Madame Larina begins to reminisce about her own courtship and marriage. A group of peasants enter, and celebrate the harvest with songs and dances. Tatyana and Olga watch. Tatyana has been reading a romantic novel and is absorbed by the story; her carefree sister, on the other hand, wants to join in the celebrations. Madame Larina tells Tatyana that real life is very different from her novels. The pair are shown in and Lensky introduces Onegin to the Larin family. Tatyana for her part is immediately and strongly attracted to Onegin.
Lensky expresses his delight at seeing Olga and she responds flirtatiously. Onegin tells Tatyana of his boredom in the country and describes the death of his uncle and his subsequent inheritance of a nearby estate. Filippyevna recognizes that Onegin has had a profound effect on Tatyana. Restless and unable to sleep, she asks her nurse Filippyevna to tell her about her youth and early marriage.
Tatyana confesses that she is in love. Left alone, Tatyana pours out her feelings in a letter to Onegin. She tells him that she loves him and believes that she will never feel this way about anyone else, and begs him to understand and help her. She finishes writing the letter at dawn.
Filippyevna enters the room to wake Tatyana. Tatyana persuades her to send her grandson to deliver the letter to Onegin. Scene 3: Another part of the estate Servant girls pick fruit and sing as they work.
Onegin enters to see Tatyana and give her his answer to her letter. He explains, not unkindly, that he is not a man who loves easily and is unsuited to marriage. He is unworthy of her love and can only offer her brotherly affection. He warns Tatyana to be less emotionally open in the future. The voices of the servant girls singing are heard again.
Tatyana is crushed and unable to reply. Onegin is dancing with her. He grows irritated with a group of neighbours who gossip about him and Tatyana, and with Lensky for persuading him to come to the ball. He decides to avenge himself by dancing and flirting with Olga. Lensky is astounded and becomes extremely jealous. He confronts Olga but she cannot see that she has done anything wrong and tells Lensky not to be ridiculous.
The elderly French tutor Monsieur Triquet sings some couplets in honour of Tatyana, after which the quarrel between Lensky and Onegin becomes more intense. Lensky renounces his friendship with Onegin in front of all the guests, and challenges Onegin to a duel, which the latter is forced, with many misgivings, to accept. Tatyana collapses and the ball ends in confusion.
Scene 2: On the banks of a wooded stream, early morning Lensky is waiting for Onegin with his second Zaretsky.
Lensky reflects on his life, his fear of death and his love for Olga. Onegin arrives with his manservant Guillot. Both Lensky and Onegin are reluctant to go ahead with the duel, reflecting on the senselessness of their sudden enmity. But it is too late; neither man has the courage to stop the duel. Zaretsky gives them the signal and Onegin shoots Lensky dead. Standing alone at a ball, he reflects on the emptiness of his life and his remorse over the death of Lensky. Prince Gremin enters with Tatyana, his wife, now a grand, aristocratic beauty.
She is greeted by many of the guests with great deference. Onegin is taken aback when he sees Tatyana, and deeply impressed by her beauty and noble bearing. Tatyana, in turn, is overwhelmed with emotion when she recognizes him, but tries to suppress it. Gremin tells Onegin about his great happiness and love for Tatyana, and re-introduces Onegin to his wife. Onegin, suddenly injected with new life, realizes that he is in love with Tatyana.
He determines to write to her and arrange a meeting. Onegin enters. Tatyana recalls her earlier feelings and asks why Onegin is pursuing her now. Is it because of her social position? Onegin denies any cynical motivation: his passion is real and overwhelming.
Tatyana, moved to tears, reflects how near they once were to happiness but nevertheless asks him to leave. He asks her to have pity. Tatyana admits she still loves Onegin, but asserts that their union can never be realized, as she is now married, and determined to remain faithful to her husband despite her true feelings.
Onegin implores her to relent, but she bids him farewell forever, leaving him alone and in despair.
class="">EVGHENI ONEGHIN/ EUGENE ONEGIN
Au, cu natura ce renate, Un gnd ndurerat ne pate: Tnjim c anii ni s-au dus, Cu tinereea ce-a apus? Au, poate, ne revine-n minte Un vis poetic ce-nfioar, Ce prinde-n inimi s ne cnte Visnd o ar deprtat, Cu nopi i lun fermecat? Nu roze seamn-acum cerul, Ci albe flori de mrgrit. Pe ru s-aterne gheaa-ncet Oglinzi moderne de parchet i droaia de copii - sfrleaz Pe luciul gheii patineaz
A. S. Puşkin: Evgheni Oneghin
Start your review of Evgheni Oneghin Write a review Shelves: my-childhood-bookshelves , reads , books-from-childhood-revisited I dare you, double-triple-dog dare you, to find a Russian person who has never heard of Evgeniy Onegin. If you do somehow manage to find this living-under-the-rock person, I unfortunately cannot provide you with a monetary reward since I have no money to speak of. Children read it in literature class and are made to memorize passages from it starting in elementary school. There are operas, ballets, and films. The phrases from it have become aphorisms and are still widely used in the Russian language. And yet I think most of us, when you get to the bottom of things, have only superficial recollections of it, the bits and pieces of storyline which may or may not feature a love story?