AVE VERUM JENKINS PDF

The poem reflects on the suffering of Mary , mother of Jesus , at the time of the Crucifixion. The addition of the Armenian duduk or ney heightens the Eastern atmosphere, and its deep double-reeded sound adds a richer, more resonant dimension to the work than can perhaps be achieved using orchestra alone. Alongside the duduk, Jenkins features percussion from the Middle East, such as the darabuca, def, doholla, and riq. Unlike his Requiem , no movements combine both liturgical and non-liturgical texts. Movement 1. Cantus lacrimosus full chorus, chamber chorus Verses of the Stabat Mater 2.

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Retrieved 27 March Alongside the dudukJenkins features percussion from the Middle East, such as the darabucadefdohollaand riq. The first recording features the Royal Liverpool Philharmonic Orchestra and Chorus, along with two soloists, Lithuanian mezzo-soprano Jurgita Adamonyteand English musician Belinda Sykeswho both sings and performs on the dudukan Armenian reed instrument.

The Epic of Gilgamesh English, Aramaic. Ave Verum Corpus Latin. By using this site, you agree to the Terms of Use and Privacy Policy. Song of Tearsusing the same format with soft introduction preceding the main melody and harmonisation. Views Read Edit View history. Katherine Jenkins — Ave Verum Corpus — Faenol Festival — video dailymotion Stabat Mater focuses on the suffering of Mary, but unlike most adaptations of the text, Jenkins uses languages other than Latin and his native English.

Unlike his Requiemno movements combine both liturgical and non-liturgical texts. Stabat Mater Studio album by Karl Jenkins.

Karl Jenkins — Ave verum corpus From Wikipedia, the free encyclopedia. This page was last edited on 31 Octoberat The first movement is an extended variation of a piece from AdiemusCantus: The poem reflects on the suffering of Marymother of Jesusat the time of the Crucifixion.

The addition of the Armenian duduk or ney heightens the Eastern atmosphere, and its deep double-reeded sound adds a richer, more resonant dimension to the work than can perhaps be achieved using orchestra alone.

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